The Fish
for 26 January 2000. Updated every WEEKDAY.
 
Suck Staff
 

Joey Anuff
Joey Anuff
Editor in Chief

 

[Tim Cavanaugh]
Tim Cavanaugh
Special Guest Editor

 

Terry Colon
Terry Colon
Art Director

 

Heather
Havrilesky
Heather Havrilesky
Senior Editor

 

[Copy Edit]
Erica Gies
&
Merrill Gillaspy

Copy Editors

 

[Phillip Bailey]
Phillip Bailey
Production Editor








	
Suck Alumni
Suck Alumni Text
 

Carl Steadman
Carl Steadman
Co-Founder

 

Ana Marie
Cox
Ana Marie Cox
Executive Editor

 

Sean (Duuuuude)
Welch
Sean Welch
Suckgineer

 

Owen Thomas
Owen Thomas
Copy Editor

 


T. Jay Fowler
Production Manager
& Ass Kicker

 

[yes, it's
a plunger. i'll l
eave the rest up to your imagination ... ]
Erin Coull
Production Manager

 

Monte
Goode
Monte Goode
Ghost in the Machine

 

Matt Beer
Matt Beer
Development Manager

 

[Brian
Forsyth, " we're just spanning time "]
Brian Forsyth
Production Editor
& Pool Monitor

 

[the fixin'
pixie... ]
Emily Hobson
Production Manager
& Rhythm Guitar

 

[Ian
Connelly]
Ian Connelly
Marketing Manager



Filler: Irrelevance

Dear Polly,

Classic Filler! Irrelevance
with flair! I hope that one
day, when I read your bio in
Parade's "Keeping up with
..." column, I will learn
that your life is the
antithesis of the pathetic
and petty persona you
project. Because I do read
your work as a double
espresso of bitter irony with
an underlayer of resilient
mental health.

Faithfully sharing your
obscurity vicariously, as I
reflect on my own,

I. R. Relevant
Mellow planter and former
pants-crapper slave

Oh, ha ha ha. Yes. I exist on
a higher plane of
consciousness than most
mortal folk, and it is from
these great heights that I
can peer down and observe the
pathetic and petty people in
their little ant-farm-type
lives below. Oh, how they
amuse and excite me with
their dippy misunderstandings
and emotional fumblings. As I
sip my double espresso of
bitter irony (oh, but the
espresso itself is never
bitter, I assure you —
naturally I'm proactive and
self-actualized enough to
have learned the tricks of
smooth, tasty espresso
making), I wonder what it's
like to struggle and stumble
and miscalculate and
misinterpret and say stupid
shit. Ah, but I can only
wonder.

At the peak of mental health,

Polly
 
Fish With Letter Icon
 


Oh Polly, I feel your pain. I
just don't care. I have to
read my case book now so I
can get a good grade in law
school. That way I can afford
to send my kid to military
school and take vacations in
Hawaii on a regular basis.

Irrelevantly yours,

TomB
<tbernardi@pcolor.com>

W-W-What do you mean, you
don't care? I don't get it.
How can you say that? Don't
you know that you're hurting
my feelings? You care more
about your stupid case book
than you do my feelings,
don't you? You always put law
school before me! It's not
fair!

OK, now I'm really upset. I'm
gonna sit here and wait until
you send me an apologetic
email. I'm waiting. You'd
better send it, buddy, or you
are in big, big trouble, I'm
serious. I'm waiting. I'm
waiting.

Still completely mentally
healthy, damn it,

Polly
 
Fish With Letter Icon
 


Quit whining. At least people
read your crap.

<Smilg.Larry@orbital.com>

Hey, no one said that I was
irrelevant. I was talking
about you guys.

Mildly delusional, but
overall still relatively
sane,

Polly
 
Fish With Letter Icon
 


Subject: And the beat goes on

Hi there, Polly. Have you
actually ever set Steve up
with a date, or is his
presence in Filler purely a
means for you to belittle his
desperate loneliness? I'm up
for the challenge, if you
will. I'm a little saucy, and
I'm sure I could take Steve
on. I live on Bainbridge
Island, but regularly go to
Seattle to get drunk with my
friends at any establishment
that has a buffalo head
hanging above the bar. I'm
23, attractive enough that
all of my male friends have
tried to pull some stunt or
another with me, and
intelligent enough to read
Celine but not Goethe. Hey,
we could even bring a tape
recorder on the date so that
you could document the
initial fumblings of two
pale-skinned and bitter
alcoholics! You could write a
column about it with minimal
thinking! Hey, all of these
exclamation points makes it
look like I'm shouting!

Yup,

Amy

Hmm. You're young, really
hot, smart, and you drink a
lot?

No, I can't set you up with
Steve. He'd be too happy and
that would really, really
annoy me.

Unchartably emotionally
screwed up and pathologically
selfish,

Polly
 
Fish With Letter Icon
 


Hit & Run

I'm so glad that Time Warner
and AOL have merged. Now
we've taken one more glorious
step toward a world where
every single thing that we
can see, read, or hear will
be, thank GOD, in-SANITIZED
for our protection. I had one
of those nasty,
almost-original thoughts
creep into my head the other
day, and it made me feel
dirty and un-American.
Decent, sexy, successful,
gigantic, professional-looking,
predigested images and
"ideas" are a heck of a lot
better than the lonely,
ineffective, little, impotent
dribble that you guys put
out. If you come to your
senses, get an attitude
adjustment, get on the fast
track, accept Jesus, and
start dressing for success
and going to the gym more
often and a few of you (you
know who you are) might still
be able to get a real job
with a top-notch "firm" that
has a good chance of being
acquired by a multinational
information-based corporation
that's really going
somewhere! Oops, I gotta go!
Meds-wagon's comin' around!
Later ...

Tucson John
<jargent@earthlink.net>

Your email reminds me of that
Chris Farley speech where he
air-quotes all the key
phrases: "So I'm not
'classically handsome.' I
don't have 'washboard abs.'
My breath isn't 'fresh.' I
don't 'shower often.' I can't
'see' my 'penis.'" And so
on.

Yr pal,

Tim
 
Fish With Letter Icon
 


Sucksters:

While I enjoyed your review
of the coming-to- a-mall-
screen-near-you biopics of
misunderstood comedians, I
feel you overlooked an
obvious candidate: Michael
O'Donoghue. True, his
biographer has a vested
interest in seeing his life
dramatized; but I believe
O'Donoghue's story works well
as a post-Man on the Moon
project.

He was the guiding spirit of
the original National
Lampoon,
establishing the
cut-and-slash style of humor
that lesser writers milked
for the better part of a
decade. He also set the
early, aggressive tone of
Saturday Night Live before it
became the recurring
character cash cow so derided
by cosmopolitan types like
yourselves.

Basic Story: Small-town boy
comes to New York to write
plays, falls in with a
bohemian crowd, and soon
becomes their Byron. Hooks up
with a few Harvard boys and
teaches them the finer art of
comic assault. Brings this
style of humor to network
television, which leads to a
Hollywood contract, a cameo
in Woody Allen's Manhattan,
and torrid affairs with
Margot Kidder and Carrie
Fisher.

Tragedy: Was edged out of SNL
for being "too dark," a
complaint later echoed by
Hollywood producers who wanted
O'Donoghue's heat but not the
hassle. Other than Scrooged,
a film he disowned,
O'Donoghue's screenplays
gathered dust, and before
long he couldn't even get a
Fox TV pilot off the ground.
He then died of a massive
brain hemorrhage on the floor
of his Manhattan brownstone.

Taxi-style "Look, I'm
Successful" Montage: Playing
the sinister recurring
character Mr. Mike on SNL;
doing drugs with John
Belushi; throwing tantrums in
the Lampoon and SNL offices,
destroying phones, knocking
over file cabinets, kicking
holes in walls; dining at
Reno Sweeney's with
girlfriend Anne Beatts;
falling off a cliff while
tripping on acid in Mexico.

Show Biz Entity Razzed: Lorne
Michaels, for not
appreciating O'Donoghue's
dark genius (although he got
him out of numerous financial
holes); Hollywood types who
O'Donoghue detested; Chevy
Chase.

Casting: As with Bill Hicks,
either Norton or Spacey would
do, especially Spacey.

Speaking of casting, you
surely know that Campbell
Scott played Robert Benchley
in Mrs. Parker and the
Vicious Circle.
Too soon for
a reprise?

Dennis Perrin
<bauerperrin@mindspring.com>

OK, OK, OK, Dennis. Let's
stick to one thing at a time,
here. How do you know so
cotton-pickin' much about
Michael O'Donoghue, anyway?
Is this a pitch? Have you
already plowed through the
first act of this thing? You
know, don't you, that the
second act isn't going to be
nearly as easy? You know that
the scene where O'Donoghue is
dining at Reno Sweeney's with
girlfriend Anne Beatts is
going to have to be cut in
half, right? You're realistic
about these things, right,
man? You also know that in
the file cabinet scenes,
someone, we're not sure who
yet, is going to have to get
seriously injured? You're
aware of the basic
requirements here, correct?
You're not thinking arty,
indie no-stars, are you,
because that's career
suicide, you got it? You got
that? Dennis, baby, we're
losing you. Are you with us?

Your loyal agents until
someone hotter comes along,

the Sucksters
 
Fish With Letter Icon
 


The Rabbit in Winter

OK, I'm picking nits, and I'm
sure you wrote your article
on Hef back in 1999, but it
appeared in 2000. You stated
that a pregnant Lisa Rinna
appeared on the cover of
Playboy "last year." Lisa
Rinna was on the cover of
Playboy in all her bloated
glory in 1998. I remember it
specifically, sitting on a
table with a copy of
Cosmopolitan and an
overflowing ashtray in the
basement of a hair salon.

Damn my photographic memory!
:)

Alexia Henke

<alexia_henke@exchangeny.deutschinc.com>

So did you write one of those
letters to Dear Playboy:
"Thank you for featuring the
heavenly Lisa Rinna. This
vision of the beauty of
motherhood truly took this
reader's breath away!"?

the Sucksters
 
Fish With Letter Icon
 


Dear Mr. B:

Nice piece. I'd have tagged
it Rabbit Redux, but a fine
piece none the same. Still,
especially given that this is
Suck after all, I wonder if
it wasn't a bit too kind.
(Kindness is good, of course.
What do the two films that
have been named best films of
the year by the national film
critics board — whatever
the hell that is — have
in common, other than the fact
that nobody has seen either The
Dreamlife of Angels
or
Topsy-Turvy, because the
first opened and closed in 15
minutes with US$1.27 in
marketing money and the
second is playing in three
places nationwide? Both are
essentially kind films that
sympathize with their
subjects. Kindness just may
not be needed here at Suck.)
Mr. Hefner is playing out the
third and last act of his
play as farce, and the only
thing worse than being
drafted into a war you didn't
know was being fought is
being drafted into a war you
know damn well was fought and
lost decades earlier. His
battle is over; we can lust
after and fuck and regret
anyone we damn well please
(and don't think that isn't a
real change from when he
started Playboy), and we are
no more happy and no more
human now than we were then
and still are forced to make
that unmapped trip back into
the rag and boneyard of the
heart.

As I said, thanks for the
fine writing. Terry's art is,
as always, scarily good.

Alan S Kornheiser
<ASKornheiser@prodigy.net>

Back into the rag? Don't you
mean back on the rag?

You get a lot of earnest
replies to your earnest
responses, Alan. Now and then
we need to willfully
misunderstand you, just to
keep your flame of love for
Suck lit and burning bright.
Sort of like we're playing
hard to get. Sort of like
sex, back in the days before
Playboy. Now people have to
write books with titles like
The New Modesty and A Return
to Not Being a Total Slut.


But your basic point, that
we're no more happy and no
more human now than we were
before Playboy? We agree with
that. In fact, we were just
saying the same thing about
the advent of the minivan.
Minivans are innovative and
everything, but the truth is,
we're no more happy and no
more human now than we were
before the minivan busted
onto the scene.

Happier than a Dodge Caravan,

the Sucksters
 
Fish With Letter Icon
 


Dear Sir or Madam or Thing,

I followed your link on
today's column to the
barnesandnoble Web site for
The Century of Sex: Playboy's
History of the Sexual
Revolution, 1900�
and
found — "bn.com customers
who bought this book also
bought: Crossword Puzzles in
Large Type #22,
Charles
Preston."

(We told you you'd go blind
if you didn't stop it.)

Mark Lutton
<Mark.Lutton@newsedge.com>

If The Century of Sex came in
large type, then we'd be
talkin'.
 
Fish With Letter Icon
 


What does it mean when, as I
read the phrase, "Beatty and
Nicholson running wild," the
first Beatty that popped into
my head was Ned, not Warren?

Slightly worried,

Tony Nowikowski
<tony@nowikowski.com>

You should be worried. We
forgot Ned Beatty existed,
and frankly, we regret the
fact that you reminded us of
him. Thanks a lot,
Nowikowski.

the Sucksters
 
Fish With Letter Icon
 


It's just sex, people, get
OVER it.

I read this, the latest SUCK
installment, and said
"Whaaaaaat?"

Who CARES? Do normal (adult,
not overaged adolescents)
people with regular lives
really spend this much time
wondering about how they
"measure up" or whether
they're still attractive to
the opposite sex or the
quality and quantity of their
orgasms? And if they DO, what
in hell are they gonna DO
about it ANYWAY — we are
ALL constructed with built-in
limitations, if you catch my
meaning.

Yes, sex is pleasurable. Yes,
sex is important (where would
we all be WITHOUT it?). And,
yes, the '60s brought on a
much-needed sexual
revolution, bringing the
subject out of the dark hole
it had been stuffed into by
earlier, more puritanical, and
more hypocritical
generations. Yes, to a
moderate extent, Mr. Hefner
and the Playboy philosophy
had a hand (God, no pun
intended!) in that
revolution/evolution.

But did it really matter?
Really? In the face of
racism, nationalistic
oppression, economic
ruination via amoral
corporate greed, and
international war and
pestilence (natural and
manufactured), does Playboy
and the mind set and
lifestyle it attempts to
engender actually MEAN
anything?

I think not.

HERE'S an idea for those who
worship at the Hef-man's
slippered feet: Read a BOOK
(NOT a magazine or a how-to
or a technical manual or a
gossip rag or ANYTHING by
Anthony Robbins or L. Ron
Horse-manure — I mean
something that informs or
challenges or excites you as
a person, mentally and
spiritually) from cover to
cover without complaint; grow
the hell up (leave ... high
school ... BEHIND you! If the
last time you experienced any
sort of validation was THEN,
then you're grossly polluting
the genetic-societal pool
— please REMOVE
yourself!); LOOK IN THE
MIRROR — if you think
that air-brushed
sexually-compliant,
emotionally-vapid, perfect
Barbie Doll women are the
answer to your problems, then
riddle me this: What in HELL
would they want YOU for, you
out-of-shape, pot-bellied,
acne-ridden, barely-literate,
no-to- low-income,
living-vicariously-
through-your-sports-heroes,
socially-inept LOSER?

Hefner? Suck wrote about
HEFNER seriously, like
there's some great
philosophical import to him
and his creation?

C'MON...! They're just
pictures of nekkid chicks
already ... how in the world
did THAT become something
that mattered (exploitation
issues notwithstanding)?

Joseph Armstead
<JArmstead@ mdbe.com>

"Yes, sex is pleasurable"?
Admittedly, sex is enjoyable?
Granted, sex can be fun,
sometimes?

Do people who have a lot of
sex make statements like
this?

We don't know about you, but
we find that sex informs or
challenges or excites us as
people, mentally and
spiritually, much more than
reading books does.

Mister, you need to get laid.

the Sucksters
 
Fish With Letter Icon
 

 The Shit
Fully Committed, Becky Mode, the Cherry Lane Theater, New York, New York
Paris in the Twentieth Century, Jules Verne, Del Rey, 1997
Chow Yun Fat's haircut in Anna and the King
A Comment on Mini-skirts, Thornton Dial
"Leonardo's Grave," Ian Jacks, Granta #67
The Long Swift Sword of Siegfried, directed by Adrian Hoven, 1971
The annual reappearance of cheap clementines in bodegas
The New Meaning of Treason, Rebecca West, Penguin Books, 1985
Five-Card Nancy (a card game played with individual panels of Ernie Bushmiller's comic strip)
The Birthday Party Live 1981-82, Four A.D., 1999
Black Sessions 10/22/98, Belle & Sebastian , (unreleased)
San Lorenzo's Blues, Nuzzle, Troubleman Unlimited, 1999
The Story of Time, exhibition in the National Maritime Museum, Greenwich, England
Back of the Big House: The Architecture of Plantation Slavery, John Michael Vlach, University of North Carolina Press, 1993

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