The Fish
for 2 August 2000. Updated every WEEKDAY.
Suck Staff
 
[Tim Cavanaugh]
Tim Cavanaugh
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Terry Colon
Terry Colon
Art Director
 
Heather Havrilesky
Heather Havrilesky
Senior Editor
 
[Phillip Bailey]
Phillip Bailey
Production Editor
 
Joey Anuff
Joey Anuff
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Suck Alumni
Suck Alumni Text
 
Filler

Subject: Faith in what?

Polly,

That's easy. Just have faith in
yourself. The rest is just details.
Seriously.

Here's to our pointless little
lives,

Greg Pyatt
<squeaktoy2000@hotmail.com>

I don't lack faith in myself, trust
me. If anything, I have way too
much faith in myself. It's the
details that get me down.

Sweating the small stuff,

Polly
 
Fish With Letter Icon
 


You wrote recently in The Fish that
"But drug dealers are more likely
to push piles of cocaine around on
a table with the butt of a shotgun
and shout things like, 'fuck with
me, you fuck with death.'" I think
you'd be surprised by how many drug
dealers, even big international
ones, are really polite, cultured
people who know how to conduct
their business in a civilized
fashion. On the other hand, its
amazing how many library assistants
here at M.I.T. can be found sitting
at their desks with big piles of
cocaine, waving shotguns and
muttering ominously.

FWM,YFWD:

Ben Schwabe
<bschwabe@MIT.EDU>

You know, that Dewey Decimel system
— that's the culprit! Dewey was
actually a communist infiltrator,
and his system was part of a secret
commie plot to drive a stake
through the heart of our
intellectual culture —
represented by library assistants
and copyeditors, naturally. That
stake was a system so twisted in
its arbitrary nature (The 200s are
Science? Why? What for?) and so
difficult to memorize (Were the
200s Science? Or were the 200s
History?) and so inaccurate and
silly, more silly than the idea of
trying to eat a little of each of
the five basic food groups every
day ("This ketchup on this burger
covers my vegetable group, see?"),
that library assistants across this
great nation of ours have been
slowly losing their minds for some
time now. Why, just the other day I
visited my local library and asked
the librarian if Pornography was
considered part of the Social
Sciences or the Arts, and she
pulled out an AK-47 and suggested I
back on up before she fuck my shit
up bad.

One of the small, impolite,
uncultured ones,

Polly
 
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Pretty Polly-O,

Congratulations. After years of
relentlessly chipping away at my
already fragile self-esteem, you've
finally managed to completely
obliterate the last few shreds of
hope and dignity that were left
after a life of disappointment and
degradation.

I've seen the light. I mean, what's
the point of going on like this?
Twenty-five more years of
thanklessly toiling for impersonal
corporate taskmasters, a seeming
eternity of banal chatter from a
spouse who just doesn't get it, and
a couple of offspring who seem to
think that old dad is some sort of
ATM in a necktie.

I'm going to sell my possessions,
sever all personal ties, and spend
the rest of my miserable life
forlornly wandering the world's
forgotten places.

Thanks again, and keep fighting the
good fight.

John Harvey
<fergsboy@airmail.net>

Glad to be of service. Have a good
time. It's pretty hard to find
Fromm's Guides for those forgotten
places... Good luck!

Polly
 
Fish With Letter Icon
 


1. Where did this unlosable
pregnancy fat come from? I'm a guy!

2. How did I get suckered into this
never-ending "Survivor" series
horseshit? Wouldn't my time be more
enjoyably spent playing my vinyl
copy of "Double Nickels On The
Dime" at full volume?

3. Exactly when did sex start to
feel like a job? Why can't my job
feel like sex? Turnabout is fair
play, after all ...

Enough already....

Gabriel Golden
<golden@sfis.com>

1. Ever try Tae Bo? My friend Steve
swears by it.

2. If they don't get rid of Rich
this week, I'm going to soil my
pants.

3. If sex feels like a job, your
partner's job satisfaction is
definitely at an all-time low.

Enough is enough,

Polly
 
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Lipstick Traces

hi

really an amazing piece. enjoyed
reading it. MY PENIS is one of the
great themes of western literature.
This confirms it.

Maralyn Lois Polak
<Langwidge@aol.com>

Maralyn, if your penis is one of
the great themes of western
literature, then the academy is far
more accommodating than anyone
thought.

Just joshin' with you, Maralyn. I
know what you mean, and thanks.

Ann
 
Fish With Letter Icon
 


Glad to see your work appear on the
pages of Suck again.

The real problem with these books -
if your summer book report is to be
believed, and I can think of no
reason why not -- is that the
authors are halfwits suckered in by
Clinton's carnie-level shell game.
That is to say, the liberals now
know how conservative Republicans
must have felt after eight years of
Reagan. What amazes me is that,
despite his stubborn insistence on
staying popular at any cost,
Clinton still has any defenders on
the left.

As for Clinton dismantling the
welfare state, well, I'd really
like to see it. Can you give me
even one instance where there's
been sizeable or even actual
cutbacks in any gummint programs?
Clinton co-opts the sounds of the
right when it's politically
opportune, but in the end, he wants
the Big State to be at the center
of middle-class life (hence
HillaryCare). If keeping the First
Schlong fellated could somehow have
translated to Clinton nodding off
in the tradition of California's
best politicos, I would cheerfully
check off the $1 on my 1040 as my
share of the trollops. The problem
is that Clinton isn't Elvis; he's
really Gov. Lepetomaine.

Rob McMillin
<rlm@pricegrabber.com>

I couldn't agree more that Clinton
wants to keep Big Government at the
center of middle class life, after
all, they vote. It's the poor —
whose voter turnout is notoriously
low, and from whose abuse the
middle class draws shameful
righteousness — that Clinton
has betrayed.

Now, you are obviously one of those
conservatives who (understandably)
wish to believe that Clinton's
mendacity and corruption can be
severed from the political leanings
that you share with him. Well, sir,
I am a liberal and on behalf of all
of us bleeding hearts, I'm going to
have to remind you that many of
Clinton's political actions were as
obscenely conservative as his
personal actions were obscenely
libertine.

Not only is he responsible for the
de facto elimination of Aid to
Dependent Children, but in his
quest to make welfare dependent on
"incentives" (read: "threats"), he
has endorsed as his model such
programs as Missouri's "Direct Job
Placement" scheme, wherein the
state serves as the corner barker
for an auction of forced labor. In
practice, this means that welfare
recipients must often gut chickens
for Tyson Foods or else lose all
benefits. Thus Tyson Foods is
supplied with a desperate, muzzled,
non-union workforce in an industry
where — according to the Bureau
of Labor Statistics — one third
of employees a year suffer illness
or injury due to the job.

I can understand why you might want
to distance Clinton — and his
penis — from your politics, but
that is, I'm sorry to report, where
he belongs.

Love and kisses,

Ann
 
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Sudan? What about Yugoslavia? It is
amusing and frightening to see the
aging rock 'n rollers decend into
Alzheimerism.

Lee Roskin
<ledros@got.net>

I think I come down on the
"frightening" side of the
continuum, though one often has to
laugh.

Yours,

Ann
 
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I thoroughly enjoyed "Lipstick
Traces" on thesuck.net. It's great to
read the words someone who has
actually put some thought into what
she is writing. It's easy to see
why Mother Jones hired you.

They obviously pay you to write for
them, but I am not so sure about
some of the other writers.

Where did you edit/write before
thesuck.net?

Mike McLeod
<starprinting@mindspring.com>

To judge by the behavior at our
office get-togethers, I am pretty
sure Suck's other writers do get
paid — in crack.

As for the logic of Mother Jones'
hiring decisions, you've obviously
got more insight on the process
than I do, as — contrary to my
out-of-date bio — I don't work
there any more.

Live from the nation's capital,

Ann
 
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I hardly consider myself an
apologist for Clinton's
reprehensible behaviour and even
more unseemly prevarications, but
the insinuation that the the
bombings in Africa were motivated
by Clinton's desire to deflect
attention from his wang is a very
serious one, even in jest. Maybe
I'm being naive, but responding to
an attack by Osama bin Laden
against the American embassy seems
plausible enough for me to accept,
despite our yet unexplained bombing
of what appeared to be a legitimate
pharmaceuticals factory.

Thanks,

Oliver Mellet
<melletog@hotmail.com>

That Clinton obscures his wang with
a bang — on multiple occasions
is a serious charge, and rest
assured I do not make it in jest.
You seem to understand the
substance of the argument for his
Wag the Dong strategy yourself
— but the "accidental"
confusion of a pharmaceutical
factory with a legitimate (whatever
that means in this context) target
is the least suspicious action
taken under the auspices of
Operations Codpiece I, II, and III.

Clinton ordered the use of force
against remote — and convenient
— enemies three times in 1998,
each instance coincident with
especially trying moments in his
struggle against impeachment.
Clinton ordered the strike against
El Shifa Pharmaceutical Industries
on August 20, 1998 — the night
that Monica Lewinsky returned to
the grand jury and three days after
his first "apology" to the American
people. On the same night, Clinton
ordered the attack on Osama bin
Landen and his associates, claiming
that the bombing was necessary
because the gang had fortuitously
gathered in one spot and there was
only one window of opportunity
through which to hit them. This can
neither be proved nor disproved.
But consider: Why they would gather
so, on territory well known to US
intelligence, is one question, how
we could then manage to miss a
single target is another.

His bombing of Iraq on December 19,
1998 — a day after his second
"apology" — occurred just in
time to postpone the impeachment
debate, a happy coincidence
probably owed to Clinton's
"discovery" of Hussein's
non-compliance with UN inspectors
— the nominal reason for the
bombing — well in advance of
the UN itself.

I have shamelessly lifted most of
this argument from Christopher
Hitchens' No One Left To Lie To, a
book whose slight length belies the
fact that it carries much more
weight than Ezsterhas' 400 pages of
hot air.

Heart on the sleeve, hand on the
trigger,

Ann
 
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Good to see your acerbic wit again
... it's always nice to see both
WJC and his
critics/defenders/wannabes/et al.
skewered in my morning Suck.

Andrew Sullivan
<ajsullivan@att.com>

And my acerbic wit is glad to see
you, Andrew

Ann
 
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Ms. O'Tate,

By writing you, I intend neither to
side with the "Touched by an Angel"
contingent nor to detract from the
brilliance of your evisceration of
these two pieces of 'imaginative'
non-fiction...but I must take issue
with your assertion that "For every
West Wing, there is a Touched by an
Angel, for every American Rhapsody,
another "Left Behind" book." I can
hardly agree with the ratio.
Despite ratings and sales numbers,
I would argue that "Left Behind"
has hardly penetrated the American
cultural consciousness on the scale
of one such as John Grisham -
politically divergent, but equally
devoid of literary merit. And the
likes of Eszterhas or (an easier
target) Oliver Stone (throw Sharon
in there for good measure) have
little to fear in Hollywood from
the occasional success of a series
like "Touched by an Angel" or
"Little House on the Prairie."

Looking forward, as always, to the
next piece.

Best,

Xindong Wu
<Xindong.Wu@businessmanager.com>

If we are to discount "ratings and
sales numbers" as a measure of
rightish-wing penetration (a loaded
term in this context, no doubt) of
American culture, what other
criteria should we use? If
anything, "mainstream" accounting
of book sales and television
viewing vastly under-represents
Christian popular culture. The
Times Best-seller List famously
avoids tabulating the sales of
"specialty" book shops (including
religious ones), and the Neilsens
can hardly measure such
separate-but-equal distribution
systems as Sky Angel, a satellite
cable provider that supplies
right-thinking families with
content carefully pre-screened for
corrupting messages (though one
presumes that advertising gets
through). And by the way, all this
illustrates quite convincingly the
practical fallacy of both
Eszterhas' and Marcus' "Elvis"
theory; there are vast swathes of
the country — not just
Christians — for whom white-boy
rock and roll is not a unifying
force at all, except as something
to rail against. Elvis was a hero
to most, but Chuck D. is not his
only detractor.

Fight the Power,

Ann
 
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while you make a compelling
argument to lock the door and just
have another beer on election day,
i really believe that trading guns
for drugs (the
Iran-Contra-Clusterfuck that
coincided with the advent of crack
in the inner cities) and every
other "we love you people" gesture
that Republicans are willing to
kill us for is a much Phatter
reason to choose the Democrats over
those who admit to liking Alan
KKKeys and Gary "i love your
children" Bauer..Shit, we are
choosing an "American" president
for christsakes, at least the
Democrats of your particular
derision chose to take the advice
of all good drug dealers and "not
shit in their own yard" i.e., their
"misgivings" were, at least,
overseas. So yes, when shopping for
shit, please, get the one that
doesn't stink up the house.

I'm not your mother,

Jeff
<halcyon41@hotmail.com>

Whatever you say, Mom.

I'll call this weekend,

Ann
 
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Ms. Cox,

I wanted to write to commend you on
your superbly admonishing article.
I don't know if you've read it yet,
but Terry Eagleton's The Idea of
Culture
points in a similar
direction. He berates the
usurpation of political culture by
cultural politics. Of course, he
then goes all old school leftist
and teary-eyed for the British
Labor Party's old agenda of radical
redistribution of wealth, but
that's forgivable. He's old. I much
prefer a stern admonition to a
stern sermon on the monetary,
though.

One question: do you think that
Clinton's almost immediate
attachment to the culture industry
is one point of departure for the
low signal to noise political
attention that you point out? What
I mean is, he seemed to implicitly
accede to the political inattention
that you lament by tying himself to
rock (ok, Fleetwood Mac) and
Hollywood early on. If anything, it
seems that the pop-culture toss-off
books that you mention are a result
of him greenlighting the
imaginative leap from mere
politician to cultural figure.

That's all. I should add, though,
that I'm always excited to see you
in Feed and Suck, however rarely
that occurs these days. You're
always on target. And kudos to the
finishing touches you put on that
awful debate in the Loop. Bully for
you.

Fawningly,

Paul-Jon Benson
<asslesschaps@yahoo.com>

If you're asking me if Clinton was
canny enough to substitute culture
for politics long before Mr. Marcus
started his dissertation, the
answer is yes, though I hardly
think that makes him especially
smart or unusual. As I mention in
the piece, the phony culture war
goes back at least to the "Murphy
Brown" debacle (does anyone else
remember that the "Brown" analogy
was Quayle's way of explaining not
simply unwed mothers, but in fact
the LA riots?), and of course
Eagleton did criticize a similar
short attention span theater in
England.

The practice continues today, of
course, and if the Reform Party
candidacy of Smithereen front man
Pat DiNizio in New Jersey is any
indication, it will only get more
literal.

Put down your CDs and vote,

Ann
 
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Dear Mrs. Tate,

Finally someone states what really
mattered about the Clinton
presidency.

I quote from your article:

"Eszterhas and Marcus - and maybe
you - may care about what the
president did with his penis, but
we should have been more concerned
with the dangling appendage that
launched the attack on the Sudan."

Well said and true. But of course,
most Americans don't care if their
President kills a couple of poor,
black foreigners in a country they
can't even point out on the map...
:-(

Keep up the good work.

A.Yngve
<alf@funcom.com>

:-( indeed, comrade Yngve. I
couldn't have said it better
myself.

!@$#,

Ann
 
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Subject: welcome back

... and bravo. I'll be quoting you
for weeks.

Looks like you posed for this
week's Filler, too. ;-)

Paul Boutin
<boutin @wired.com>

"Posing" for Filler would require
my presence in San Francisco.
Sadly, I haven't seen Terry in some
time, and so his portrait reflects
a faded memory of my younger self.
I am today twenty pounds lighter,
much smarter, and far more
beautiful.

Really.

Ann
 
Fish With Letter Icon
 

 The Shit
Krushchev Remembers, by Nikita Krushchev (authorship disputed), translated by Strobe Talbott
Five-Star Day Cafe
Athens, Ga.
Salon's "Action Figures"
TV ad
Donna's Famous "Long and Short of It," by Donna Anderson and friends
Two-Lane Blacktop, directed by Monte Hellman (The Anchor Bay/Universal letterboxed edition)
George Bush, Dark Prince of Love: A Presidential Romance, by Lydia Millet (Scribner)
King Kong: The Complete 1933 Film Score, by Max Steiner Moscow Symphony Orchestra, William J. Stromberg conductor (Marco Polo)
Eightball #20, by Dan Clowes (Fantagraphics Books)
The ECW's Little Spike Dudley
Stan Kenton, City of Glass, featuring arrangements by legendary weirdo Bob Graettinger (EMD/Blue Note)
Comix 2000, Edited and published by L'Association, 2000
Star Dudes
Do you know of stuff that doesn't actively suck? Things so good they deserve to make the Shitlist? Send your suggestions to us.

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